Robert Henri Quotes II

"Completion does not depend on material representation. The work is done when that special thing has been said. The artist starts with an opinion, he organizes the materials, from which and with which he draws, to the expression of that opinion. Every material he employs has become significant of his emotion. The things have no longer their dead meaning but have become living parts of a coordination. A prejudice has existed for the things useful for the expression of this special idea, only things essential to this idea have been used. Nature is there before you. A particular line has been taken through nature. A special and particular vision is making itself clear."

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Portrait of Robert Henri by Gertrude Kasebier

"To start with a deep impression, the best, the most interesting, the deepest you can have of the model; to preserve this vision throughout the work; to see nothing else; to admit of no digression from it; choosing only from the model the signs of it; will lead to an organic work. Every element in the picture will be constructive, constructive of an idea, expressive of an emotion. Every factor in the painting will have beauty because in its place in the organization it is doing its living part. It will be living line, living form, living color. Because of its adjustment, it is given its greatest power of expansion. It is only through a sense of the right relation of things that freedom can be obtained."

 
 

"The value of repeated studies of beginnings of a painting cannot be over-estimated. Those who cannot begin do not finish. The fact is, finish cannot be separated from a perfect commencement."

"Insist then, on the beauty of form and color to be obtained from the composition of the largest masses, the four or five large masses which cover your canvas. Let these above all things have fine shapes, have fine colors. Let them be as meaningful of your subject as they possibly can be. It is wonderful how much real finish can be obtained through them, how much of gesture and modeling can be obtained through their contours, what satisfactions can be obtained from their fine measures in area, color and value. Most ... painters rush over this; they are in a hurry to get on to other matters, minor matters."

"Paint over and over, scrape and re-commence in your effort to find out and establish the beauty of color and design possible in the larger masses. When you scrape, do it like a good mechanic. Paint thin over proper light surfaces, but paint either thin or thick to get your desired effect. Permit no hurrying on to the lesser masses before all has been done that is possible with the larger masses."

"Determine to get in these larger masses all that is possible of completion, all the drawing, color, design, character, construction, effect. Remember that the greatest beauty can be expressed through these masses, that the distinction of the whole canvas depends on them."

These quotes are from Robert Henri's great book "The Art Spirit." Thanks for stopping by and if these quotes have been helpful or inspirational leave me a comment. With much appreciation, artist Boyd Greene. Good day!

Robert Henri Quotes I

“Cherish your own emotions and never undervalue them.”

“We are not here to do what has already been done.”

“A work of art which inspires us comes from no quibbling or uncertain man. It is the manifest of a very positive nature in great enjoyment, and at the very moment the work was done.”

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Portrait of Fay Banter by Robert Henri

“For an artist to be interesting to us he must have been interesting to himself. He must have been capable of intense feeling, and capable of profound contemplation.”

“He who has contemplated has meet with himself, is in a state to see into the realities beyond the surfaces of his subject.”

“It is not enough to have thought great things before doing the work. The brush stroke at the moment of contact carries inevitably the exact state of being of the artist at that exact moment into the work, and there it is, to be seen and read by those who can read such signs, and to be read later by the artist himself, with perhaps some surprise, as a revelation of himself.”

“The sketch hunter … moves through life as he finds it, not passing negligently the things he loves, but stopping to know them, and to note them down in the shorthand of his sketchbook … or his drawing pad. Like any hunter he hits or misses. He is looking for what he loves, he tries to capture it. It’s found anywhere, everywhere. Those who are not hunters do not see these things. The hunter is learning to see and to understand-to enjoy.”

“Don’t worry about the rejections. Everybody that’s good has gone through it. Don’t let it matter if your works are not ‘accepted’ at once. The better or more personal you are the less likely they are of acceptance. It is all very fine to have your pictures hung, but you are painting for yourself, not for the jury.”

“Do some great work, Son! Don’t try to paint good landscapes. Try to paint canvases that will show how interesting landscape looks to you-your pleasure in the thing.”

“In certain books-some way in the first few paragraphs you know that you have met a brother.”

“The student is not an isolated force. He benefits by taking and he benefits by giving.”

These quotes are from Robert Henri’s book “The Art Spirit.”